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You’ll notice some significant changes from the last time we did this. In honor of MTV’s 40th anniversary, we’ve decided to rank the top 100 music videos of all time. Four decades after the channel’s launch and long after it stopped playing them, music videos still complement songs, create mythologies, and cause chatter and controversy.
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The internet soon stepped in to fill the void. The format proved so durable that when MTV decided to switch things up and devote its air time to game shows, reality TV, and scripted series, thus shutting down the primary pipeline for these promos, artists still kept making them.
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Entire genres and subgenres - from hip-hop to grunge to boy-band pop to nu metal - became part of the mainstream. The network revolutionized the music industry, inspired a multitude of copycat programming, made many careers, and broke more than a few. Virtually everyone knew what a music video was, and they wanted their MTV. At this point, viewers might have a few questions, like: Is this like a radio station on TV? What is a “VJ”? And what the hell is a “music video”?Ī year later, no one was asking that last question. This wasn’t a news channel it was “Music Television.” If they kept tuning in, they’d see clips and hear VJs talk about bringing you the latest in music videos. And then they’d hear a voiceover, with all the smooth patter of an FM disc jockey: “Ladies and gentlemen, rock & roll.” Cue power chords, and a flag with a network logo - something called MTV - that rapidly changed colors and patterns.
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The familiar sight of Neil Armstrong exiting his lunar module and walking on the moon would fill the TV screen. Note: “McInturff, Steve Book, Delaware O.In the wee hours of August 1st, 1981, someone flipping through their channels might have come across the image of a rocket blasting into space. Photo strip, undated, 35 x 27 mm, provenance: US, (image courtesy of the Nini-Treadwell Collection © “Loving” by 5 Continents Editions) Photograph, 1951, 121 x 83 mm, note: “1951” “Davis & J.C.” (image courtesy of the Nini-Treadwell Collection © “Loving” by 5 Continents Editions) Photograph, Undated, 96 x 67 mm (image courtesy of the Nini-Treadwell Collection © “Loving” by 5 Continents Editions) Cabinet card, circa 1880, 167 x 109 mm, provenance: US,
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The book, Loving: A Photographic History of Men in Love 1850s-1950s (5 Continents Editions), is available online. When we see them as connected, we feel more whole, and that’s what love is about for many of us anyway. Seeing ourselves in the past is as much about being certain of our present and, dare I say, our future. What do images of men in love during a time when it was illegal tell us? What are we looking for in the faces of these people who dared to challenge the mores of their time to seek solace together? Flipping through the book, it wasn’t that I felt that I learned a great deal about being LGBTQ, but what gave me comfort was the feeling that we’re not going anywhere. While the majority of the images hail from the United States and are of predominantly white men, there are images from Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Latvia, and the United Kingdom among the cache. The collection belongs to Hugh Nini and Neal Treadwell, a married couple who has accumulated over 2,800 photographs of “men in love” during the course of two decades. In Loving: A Photographic History of Men in Love 1850s–1950s, hundreds of images tell the story of love and affection between men, with some clearly in love and others hinting at more than just friendship. Hunter” (image courtesy of the Nini-Treadwell Collection © “Loving” by 5 Continents Editions)Ī beautiful group of photographs that spans a century (1850–1950) is part of a new book that offers a visual glimpse of what life may have been like for those men, who went against the law to find love in one another’s arms. Postcard, circa 1910, 90 x 141 mm, note on front: “E.